"Into
the Unknown was exceptional. Nothing could touch it. It had all the elements
that a healthy young scientist’s mind could want; scientific things while also inducing
magnificent, scary fears of science being used to take over the world. My favorite
episode of all time was the ground-breaking “Something in the Cellar”: a
masterpiece.
It had science, and death, and the supernatural, and ghosts, and
computers, and robotic voices, and electrical current, all wrapped up in a big
old dark and frightening Victorian house; one with a cellar. A working cellar,
yes! The second I saw the episode title in the Radio Times, it had me hooked:
Something in the Cellar. I knew it was going to be something juicy in the
cellar, and I was not wrong.
The hero was a certain reclusive genius professor,
whose name was Monty if I remember correctly. Played to perfection by an Irish
actor who I am sure was Milo O’Shea. I can see his face now, and it has to be
Milo O’Shea! The professor was building a supercomputer in the cellar that
could translate languages and even had a vocal output, as well as a print out
of its emissions. This seems amazingly ordinary by today’s standards, but was
fantasy land back then.
It started out legitimately enough, but it became clear
as the machine was being improved along the way, that it had begun to develop a
personality, and a mind of its own. Without prompting it started working its
way through the alphabet, spouting words that began with an “A” all day long,
getting to the “B”s and on and on. Rambling on as Monty worked on it, sorting
out the glitches that were commonplace with constructing a supercomputer from
scratch in those days, when computers hadn't been born yet. I was fascinated by
the various flashing lights, the grey metallic boxes and consoles, knobs and
buttons and switches, wires all over the place, metal frames holding it all in
place, and cathode ray monitor screens showing the “brainwaves”, and the
printer beside, and a microphone.
God,
I wanted one. Even if we didn't have a cellar. There I was, legs not long
enough to reach the carpet while sitting on the sofa, the lights out for
special effect, staring at the TV screen like I had found the missing link. You
could have dropped a bomb onto the back garden and it would not have gotten me
to look away.
Lo and behold, it was Monty’s possessive (but dead) mother who
was the personality behind the computer’s spouting. Somehow, perhaps using
electromagnetic energy, her dead spirit had infiltrated the computers, via the
electrical wiring maybe, entering its very core, and had become at one with it.
The high voltage passing through the machine fed her control and made her even
more powerful, it seemed.
Her possessiveness became rampant, refusing to allow
any of Professor Monty’s assistants to be near, she wanted her son all to
herself. When his research assistant was trying to repair the “D circuit” she
used electromagnetic forces to stick a metal screwdriver into his arm. Along with
a nice flash of electric discharge for good measure. She particularly didn't like Monty’s housekeeper, who was bumped off in an incredible display of the
machine’s ever-increasing powers. An electrical discharge was passed through
the entire house when Monty was out one afternoon, and the mother’s form
appeared in a closet where the housekeeper was working, and racing away from
it, into the bathroom, she touched a metal tap, and the circuit was closed,
passing thousands of volts through her body, killing her. Monty eventually realized
it was his mother, as the voice also became more female in nature, and
addressed him directly:
“Mum’s
been lonesome, on her ownsome, I want to talk to you……”
Monty
did his best to put an end to the beastly creation he had constructed, but the
machine could emit electrical discharges, and every attempt to turn off the
current lead to a bright flash of thousands of volts, to ward off the attacker.
Monty even went to the main power supply to thwart it there, but again, a huge
electric arcing prevented him from getting to it. Things had come to a climax,
and suddenly, while trying to do something, Monty was entangled in wiring and
electrodes controlled by the machine, brought close in to the metal framing
surging with high voltage, he was powerless to resist . Monty was gone, and
suddenly on the monitor, there was the image of his mother’s face, coupled with
the audio output:
“Just
the two of us, forever, and ever, and ever,
and ever..…”
Repeating
over and over, as the ominous theme music faded into play.
It
was bone-chillingly real and bone-chillingly scary. The sitting room was dark
and I was enraptured, completely. There were no VCRs in those days, which is a
shame. I would have watched that over and over. I would today also!. I went up
to bed with my head full of it. Would it be possible for an otherworldly
presence, presumably using some energy form to manifest itself, to use that
energy to tap into another high energy source, and join it, and even feed off
it?
Could dead spirits come back to the living using sensitive equipment as
their vehicle, and take over the world? Surely the Devil would have an interest
in this if it was possible. He would put his best resources onto it, right
away. I couldn't sleep, my eyes full of flashing lights, my ears hearing the
whirring and coming-to-life of machines in the basement, machines with a mind
of their own, and of evil intent. Sparks and electric current passing through all
the metal contacts in the house. Some Godforsaken entity down in the basement
that had now taken hold of our house, and we would never be allowed out into
the real world ever again.
I suppose at some point, with weary eyes, the voice
of reason told me that we didn't have a basement, so, we couldn't be controlled by a
machine down there. And I doubted that the fridge or the oven were
sophisticated enough to take on a life of their own. Definitely not the old
washing machine, which I had heard my Mum say was on its last legs. This
ruled out the possibility of it finding the strength to ascend the stairs in
the middle of the night, and wrap its electrical cord around my neck,
strangling me to death. Then descending once again, and sliding back in under
the counter so as not to be suspected in the morning.
For sure, on its last
legs it would bang loudly going back down the stairs, step-by-step, and my Dad
would rush out and grab it. So the weary eyes finally closed, and off I went
into dreamland, where new nightmares were sure to be waiting for me, in some
dank cellar or another. My head was ringing with forever, and ever, and
ever, and ever......"
[Excerpted from THE MOLECULES by Kevin Mc, now available on Amazon-Kindle]
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